Having thoroughly enjoyed the first two novels of this series, following Claire Marshall’s evolution from grief-numbed widow to sassy and independent businesswoman, I was really looking forward to the third. It certainly did not disappoint.
Claire, in addition to coming to terms with her own emotional trauma, has had to deal with being framed for murder while being pursued by the real killers in A Perfect Victim. In Secrets, Lies and Homicide, she is is drawn into a sordid tale of old murder and investigation of a recent murder, as well as possibly being betrayed by her own heart.
In this third book, she has to deal with a possibly haunted house that she buys on whim, hoping to renovate and sell on for a large profit. The shadows of past and present unhappiness that seem to live in the house blight all aspects of Claire’s life and work as she seeks to uncover the mystery of the notorious ‘haint’. The more she investigates it, the more harrowing become the possible reasons for an unquiet spirit remaining in the house.
She also has to face increasingly bold threats from ruthless gang members terrorising the neighbourhood. These hoodlums begin stalking her as they believe she may have incriminating evidence that can put them away for murder. She once again comes into conflict with the local police as they pursue an investigation that involves her. And she still has to deal with her own ghosts from the past and with jealousy, doubt and indecision about her romantic future with glamorous playboy racecar driver Tony.
Once again the author writes with a sure and elegant hand, and handles complex intertwining plot threads with aplomb. The harrowingly dark possible reasons for the haunting, and the overarching, very uncomfortable feelings of dread and claustrophobia – in Claire’s work project and in her personal life – in are marvellously evoked by the author. One can enter into Claire’s heart-searchings and frustrating doubts very thoroughly and sympathetically. The sense of being on the edge of another, shadowy world just beyond our ken is also very cleverly sustained. The New Orleans backdrop with hints of ancient and exotic supernatural rituals and a certain air of decayed grandeur is used to great effect. The pacing is great, never a dull moment.
There is resolution to all plot threads – though there are surprises aplenty and I have to admit to a secret wish for a different outcome on a couple of counts. However, as in life, so in fiction – everything does not end neatly and predictably. A compellingly readable story that is hard to put down, and a very satisfying end to a great trilogy, with twists and surprises to the last page.